The story of the Sinister 2
First half of scott derrickson and
robert cargill's sinister one of the
greatest top-tier horror movies i have
ever experienced from its profoundly
bone-chilling opening to ethan hawke's
mesmerizing performance to every
unspeakably horrifying snuff film he
discovers i cannot recommend it enough
as a masterfully intense murder mystery
that gets so deep under your skin it's
witnessed however it kind of shits the
bed in the second half when it turns
into a spooky haunted house of creepy
kids and jump-scares that turn this
otherwise mature investigative thriller
into disappointing cheap tricks that
partially detract from its hypnotic
subdued mystique
noi i am aware many people will heavily
disagree with me on that part and i
don't want to talk down to the film due
to its unique setup and ambitious
supernatural creation but upon leader
re-watches i was so let down by its
ending especially that silly final jump
scare that i just couldn't bring myself
to properly commit to its sequel
so let's see how forgiving i actually am
Story of Sinister 2
(Music]
sitting dying and actually giving
sinister to my undivided attention i
expecting the worst considering it felt
like a sequel created purely for the
purposes of banking off the original
success without any real meaningfuldesire to continue the story with that
said having derekson and kargil return
as writers maintains both faithfulness
and consistency while passing over
directing duties to kieran foye who
proves an appropriate match to
derekson's style given voy's previous
film the brilliant psychological horror
citadel struck a similar balance between
realism and the supernatural the story
from the first film with the supporting
comic relief deputy so and so taking on
the reins as our main protagonist
because well spoiler alert he's the sole
survivor of the original while remaining
nameless to reflect the snarky comedic
sensibilities of alison's character from
the first film the deputy has now
inherited ellison's obsession with a
string of unsolved murders that feature
the same recurring pattern involving a
senselessly executed family anda single
missing child the deputy now takes it
upon himself to destroy each of the
houses in which the murders take place
in order to end the cursed cycle of a
supernatural entity revealed to be
responsible for the killings known as
bagool who retains its power by
indoctrinating one of the family's
children into murder and recording said
murder on an 8 millimeter camera before
taking their soul into what i assume is
a nether realm of sorts
obviously it helps if you're familiar
with the original because while the film
does get you up to speed with how theevil workS personally i think it's
better to experience the slow burn
reveal that ellison goes through i just
think it helps better ease you into the
madness of it all because the more it
starts to tell you about bagool and his
shenanigans the less
sinister it slowly becomes noi
personallyi preferred the original when
it retained its ambiguity but i respect
its need to develop something for the
payoff it's just that i felt that the
outcome doesn't meet the heights of
anticipation that are broodingly built
throughout regardless going into the
sequel i reluctantly but understandably
put my differences aside and accepted
that the supernatural component was
inevitably going to take precedent given
it can't exactly regurgitate a mystery
that's already been revealed however
that poses the problem of what else the
film has to offer given its later
exposition dump is virtually a retread
of the originals but with the addition
of how to defeat the ghoul which we'll
come back to in the major spoiler
section
generally speaking yes it's an
all-around inferior sequel becausethere's simply nothing left to shock or
surprise you
that's of course if the snuff films are
at the very least as haunting and as
brutal as ever which they kind of are so
i guess we're gonna start with the main
attraction but just before we go any
further here's a quick word from this
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Movie Tapes
the murder tips as ill call them are
still vile and diabolical as ever to
hammer home how ruthless and
mean-spirited bagool is for example the
opening cornfield crucifixion is
effective at setting the unpleasant and
uncompromising tone while the music
used
in the christmas day frozen burial adds
this fierce.
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